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又见平遥



《又见平遥》情境体验剧于2013年2月18日首演。剧场是为演出专门设计、建造的,以黄土和瓦作为主要语汇,融传统与现代于一体,与两千年的平遥古城遥相呼应,由《又见平遥》总策划樊跃与总导演王潮歌共同参与设计的。


The situational play Encore Pingyao was premiered on February 18, 2013. The theatre, designed by chief planner Fan Yue and chief director Wang Chaoge specially for the show, and primarily made of loess and tiles, is a structure that combines traditional and modern elements, echoing the ancient city of Pingyao at a distance.


剧场内部有着繁复和奇特的空间分割,完全不同于传统剧场:没有前厅,没有主入场口,没有观众席,没有传统舞台。观众从不同的门进入剧场,在90分钟的时间里,步行穿过几个不同形态的主题空间。而表演者更深入观众中间,让观众有机会成为戏剧的一部分。


Severed in space in a complicated and peculiar way, the theatre is entirely different from traditional ones: no lobby, no main entrance, and no traditional stage. Entering the theatre from different entrances, the audience may walk through several different theme spaces during the 90-minute show. What’s more, the performers go to the audience so that they get the chance to become part of the show.


《又见平遥》使用了大量的艺术语汇,戏剧、舞蹈、影像、音乐……制造奇特空间,希望观众能产生幻觉,穿越回一百年前。我们很少这样去看一个演出,这更像一个博物馆,或者说,更像一回穿越。我们有时像一个看客,有时又像亲历者。在一个又一个互不关联的场景中,我们捡拾祖先生活的片段:清末的平遥城,镖局、赵家大院、街市、南门广场……从纷繁的碎片中窥视了故事倪端。慢慢的,隐藏在真实场景中的主线渐渐清晰起来:平遥城票号东家赵易硕抵尽家产,从沙俄保回了分号王掌柜的一条血脉。同兴公镖局232名镖师同去。七年过后,赵东家本人连同镖师全部死在途中,而王家血脉得以延续。这是平遥城的仁德,也是山西人的仗义,更是中华民族的传统美德。


The show uses a great deal of artistic languages – drama, dance, image, music, etc. – to create an unusual space in which the audience would feel as if they had traveled back to a century ago. People rarely watch a show this way; it is more like a museum, or a time travel experience. The viewer would at some times feel like an onlooker, and at others just the witness. From the scenes which are not associated with each other, the viewer would pick up the fragments of our forefathers’ life– the city of Pingyao in the late Qing Dynasty, a professional firm furnishing armed escort, the Zhao Family’s compound, streets, the South Gate square….and from these fragments the viewer would gradually discover the thread hidden in the real scenes: Zhao Yishuo, the owner of an exchange shop in Pingyao, mortgaged all his family property to pay for the release of a child, in Russia, of the manager surnamed Wang of his shop’s branch, and seven years later was killed along with all the 232 armed escorts of Tong Xing Gong Escort on the way back, except the child. The show is suggestive of the benevolence of Pingyao, the righteousness of Shanxi people, and the traditional virtues of the Chinese nation.





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